During the Forum for Transnational Collaboration in the Visual Arts that took place on November 17th-18th, 2017 at USF, the workshop Global Manifestos was held. Global Manifestos was an innovative workshop for students, faculty and the public that encouraged individuals to share their experiences and reactions to the changes in the art community wrought by globalization.
Economic globalization has marginalized more people than any previous economic system and allowed Multi-National Corporations unprecedented control over affairs of state in the art community. This fact has constrained individual choices and foisted upon previously independent cultures the vagaries of the market.
Whether one is discussing farmers in Chiapas, street vendors in Tunisia, or Mom-and-Pop shops in the U.S., globalization has eroded previously stable economies and laid alternative models of culture and economy to waste. This interdisciplinary creative workshop has allowed the community of USF and the Bay Area, as well as international visitors from abroad, to speak out about the fragile domains that globalization has imperiled in the art community in particular.
The Global Manifestos Workshop presented an alternative to the model of economic globalization by providing a platform for multiple and diverse articulations on globalization. The voices of artists, curators, and critics who do not operate in the United States and Europe have been considered marginal, but scholars and professionals need to rethink these norms. Thus, the focus has been to explore the developments of artists and institutions from the (former) periphery that diffuse their own innovations into a global culture and, in so doing, transform the meaning of the visual arts, social dynamics and market processes of the art world.